Recent Work

The Basilica of Our Lady of Perpetual Help invites you to the world premiere of this musical exploration of faith and art, inspired by the stage play PILATE'S DAUGHTER, by Rev. F.L. Kenzel.

THE MYSTIC ROSE oratorio is composed by award-winning New England Conservatory faculty member Felicia Sandler. The text for this new and original work is written by playwright David Mulei, drawn from Kenzel’s play and the writings of St. Therese of Lisieux, Julian of Norwich, St. Catherine of Siena, and St. Teresa of Avila.

SCREEN

CONCEIVED and DEVELOPED WITH JARVIS D. MATTHEWS

WRITTEN BY: JARVIS D. MATTHEWS

DIRECTED BY: SIDEEQ HEARD

PRODUCED BY: JARVIS D. MATTHEWS and JOANNA WHITE-OLDHAM

Donny, a young black musician, is on the cusp of becoming the greatest soul singer of the 1970’s, but the quiet dread within his own mind threatens to derail his future.

This short film is inspired by the life, legacy, and music of Donny Hathaway. It features Jarvis D. Matthews (Donny) & Sydney Elisabeth (Roberta Flack)

Official Selection of the 2023 People’s Film Festival

Official Selection of the 2023 Katra Film Festival

recipient NYC Department of Culture City Artist Corp Grant

With generous support from New York Foundation for the Arts

WITH RUDI SCHWAB and HunTER ROBERT BAKER (TURQUOISE HORSE)

To the outside world, it appears as a clash between the Navajo and Hopi over a 4,000-square-mile area called Black Mesa. But to political insiders and energy corporations, it’s a divide and conquer play for 21 billion tons of coal and 45 billion gallons of water. Beginning in 1962, this story unfolds with the exploitation of Black Mesa, where five cultures collide—Navajo, Hopi, Mormon, government, and global energy—in a battle for the American west.

Annie Blackhorse, the first female and newly elected member of the Navajo Tribal Council, places herself at the center of this brutal land dispute. Raised under the shadow of her powerful chieftain father, Chee Blackhorse, Annie is torn between two worlds. She must balance her political ambitions with the existential needs of the Dine people, navigating a path through greed, betrayal, and the fight for their very survival.

Screenplay by: Rudi Schwab and David Mulei

Based on the Play by: David Mulei

It’s 1918. WWI rages. Once the most powerful man on earth, Theodore Roosevelt finds his life spiraling out of control following the death of his youngest son in the skies over France. With his three remaining sons still at the front and a 1920 White House run catching fire, gruesome visions and opiate-induced hallucinations eat at Theodore's soul and drive him to the edge of madness.

LIVE

Poster Illustration by James Gardiner

Written By: David Mulei

Director: Maureen Payne-Hahner

Producing Partner: Writers Innovative Network

DEVELOPED WITH GENEROUS SUPPORT FROM: THE SHEEN CENTER FOR THOUGHT & CULTURE

Summer, 1918. Sixty-year-old Theodore Roosevelt is ten years out of office and shattered by the news that his youngest son, Quentin, has been killed in action in World War I. With his three remaining sons still at the front, Theodore shoulders the blame for inspiring his reckless boys to self-destruction. 

The Fall of Theodore Roosevelt reveals the tragic psychological and spiritual conclusion of a life defined by tireless crusade. It is this six-month chapter, often glossed-over in biographical accounts, which strikingly reveals Theodore to be a man divided. Publicly, he struggles to mount an improbable political comeback. Privately, he stumbles through the darkness with his wife, Edith, and two daughters at their Sagamore Hill home in Oyster Bay, Long Island. As his once-powerful body and mind come apart, he is haunted by visions of three generations of Roosevelts. It will prove to be Theodore's greatest battle, a resolute confrontation with the often violent traumas he has spent a lifetime trying to outrun.
 

(FOREIGN SERVICE, DOMESTIC DRAMA)

Set in the foreign service, this intimate full-length play tells the story of mid-level consular officer Paul Rego and his wife, Laura, as they struggle to endure another hardship post. Rising from a blue-collar background, Paul has clawed his way up the lower rungs of the State Department’s grueling up-or-out career ladder. It’s taken ten years of pack-outs, countless bureaucratic run-arounds, and often harrowing living conditions overseas but, finally, a prestigious position in D.C. and the suburban safety Laura craves is within sight. Through the course of two dreadful, darkly comic days of personal and professional failure, Paul and Laura are forced to confront the calculating people they’ve become, and wrestle with the ultimate value of their aspirations.

Written By: David Mulei

Director: Maureen Payne-Hahner

Producing Partner: Writers Innovative Network

Historical documents, real-life expert witness reports, and trial transcripts are woven into the action of this full-length drama, which begins six weeks prior to the start of the 2000 Irving v. Lipstadt libel trial. 

Gail is a research assistant struggling to prove that notorious Holocaust denier David Irving’s revisionist claims are not only wrong, but are hateful lies. But as she examines a seemingly endless pile of horrific documentary evidence from her cramped basement office, Gail is met with new and unwelcome challenges: her fellow research assistant is leaving the project; her closest friend doubts the value of her work; and now, most disturbingly, she finds herself face to face with a menacing vision of Irving himself. As Gail races to meet her deadline, she is pressed to the limits of her fierce self-reliance, and must confront the possibility that no one can determine when an innocent mistake becomes a deliberate distortion of the truth.